I've mentioned this in the past, I love episode titles. I hate it when a show doesn't have any titles at all for their episodes. (I'm looking at you, 'Primeval' and the UK version of 'Life On Mars'. Thank Jack Lord that 'New Tricks' finally wised up!)
I especially love when a show develops a theme for their titles. 'Remington Steele' tried to use the word 'Steele' in most of theirs; the classic would be 'The Wild, Wild West' in which all of their episodes began with "The Night Of". Currently, it's "Chuck vs." whatever each week on 'Chuck'.
'The Man From U.N.C.L.E.' and 'The Girl From U.N.C.L.E.' each used "Affairs"; 'Dundee And The Culhane' used "Briefs"; 'Perry Mason' had "Cases". 'Commander-In-Chief' tried to have every episode be a "First", but finally gave up the notion.
I think the American version of 'Life On Mars' is going for a rock lyric as their titles, although I'm not sure about that "My Maharishi Is Bigger Than Your Maharishi" from two weeks ago.
So I'm looking at the episode guide for 'The Mentalist' and saw that they're going for a color scheme:
23 Sep 08 Pilot (Bleep! I hate when they just use "Pilot" for the first episode!)
I especially love when a show develops a theme for their titles. 'Remington Steele' tried to use the word 'Steele' in most of theirs; the classic would be 'The Wild, Wild West' in which all of their episodes began with "The Night Of". Currently, it's "Chuck vs." whatever each week on 'Chuck'.
'The Man From U.N.C.L.E.' and 'The Girl From U.N.C.L.E.' each used "Affairs"; 'Dundee And The Culhane' used "Briefs"; 'Perry Mason' had "Cases". 'Commander-In-Chief' tried to have every episode be a "First", but finally gave up the notion.
I think the American version of 'Life On Mars' is going for a rock lyric as their titles, although I'm not sure about that "My Maharishi Is Bigger Than Your Maharishi" from two weeks ago.
So I'm looking at the episode guide for 'The Mentalist' and saw that they're going for a color scheme:
23 Sep 08 Pilot (Bleep! I hate when they just use "Pilot" for the first episode!)
14 Oct 08 Red Tide
21 Oct 08 Ladies in Red
28 Oct 08 Redwood
11 Nov 08 Red-Handed
18 Nov 08 The Thin Red Line
25 Nov 08 Red Brick and Ivy
TBA Flame Red
Will they be able to maintain this for the rest of the year? Will they go through a blue period for the sophomore season?
There's probably a reason for this that was brought up in the pilot, which I missed. Color me red-faced if I'm missing the obvious.
Sorry about that, Chief.....
BCnU!
Toby O'B

ABC's November sweeps overview revealed that the November 17th episode of 'Boston Legal' will be about a woman (played by Cheri Oteri, pictured here with series stars James Spader and Candice Bergen) who lost her job because she voted for John McCain.






When Teresa Lisbon, Jane's superior officer from the CBI heard that, she realized that the sheriff's deputy who was accompanying her was the killer - he had a pineapple-shaped air freshener hanging from his truck's rear view mirror.
This use in 'The Mentatlist' doesn't serve as a link, just to be clear; it's just a fun way for the producers to tip their hat to Shawn Spencer and company.
Just as it happened in the UK version of 'Life On Mars', NYPD detective Sam Tyler was struck down by a car and found himself back in 1973 at his same precinct.
It's going to be the conceit of Toobworld Central that somebody else in Scotland Yard got hold of that account by Sam Tyler; somebody who knew a Manhattan police detective by the same name. Thinking his American friend might get a kick out of it, he (or she) downloaded almost the entire file and emailed it to the Sam Tyler of the NYPD. (He probably figured it was an amazing coincidence that the Sam he knew in America also had a girl-friend of color named Maya.)
Although most of the details of his new "life" are drawn from the account written up by the other Sam Tyler, the same report read by DCI Alex Drake in 'Ashes To Ashes', other details come from Sam's personal experiences.
The American Sam Tyler is rehashing most of the case details as experienced by the British Sam, but filtered through the fact that he just can't relate to certain aspects of British life. So instead of investigating the death of a soccer fan due to hooliganism, he's found himself back in 1973 looking into the death of a Vietnam Vet who was a closeted gay man. But the other details of the original case - like his bonding with the victim's son and even bumping into his younger self as his father took Sam-as-boy to a sporting event - remained the same.

