Thursday, September 11, 2008

I'M TOBY O'B AND I APPROVE THIS MESSAGE

I was going to stay away from most of the election coverage, and keep "Inner Toob" free of such real world bleep, even if there is a televersion in Toobworld for all of this history being made.

But I am getting so sick about watching the Republican lies and smear tactics and dirty tricks and then seeing how most of the actual news media just letting them get away with it for the most part. You expect that from FOX (and to be fair, you expect the exact opposite from MSNBC). But it's like everybody is afraid to call Sarah Palin out on her beliefs and positions just because she's a woman.

And they don't want to look like they're being too critical of John McCain just because he served time in a Viet Nam cage. Never mind that he was a horrible millitary pilot who graduated near the bottom of his class and crashed five government planes. (And don't even think about dipping into his personal life with regards of ditching his ailing first wife to marry a rich trophy wife whom he's called the "C-word" in front of reporters. Or that he has a history of affairs. Or that he's cruel and malicious in the way he talked about Chelsea Clinton, or that he's quick to anger. No, God forbid. He's a war hero!)

Why is it that the shows we watch for comedy are the places that put these candidates and pundits on the grill and roast them for what they have said in the past?

From "The Daily Show":

McCain as a Maverick?

Pundits choke on their former statements.

And here's Craig Ferguson's monologue from last night's "The Late Late Show".

He took on not only the pundits and the candidates (both sides) but also the media and even YOU the voter. I think it's a monologue that should be trotted out every four years as a reminder!

I'm hoping the Democratic campaign finally catches fire and begins to fight back against this type of bull-bleep. And it looks like Senator Obama's appearance on 'The Late Show with David Letterman' might be the start of that.

My bestest of friends Ivy sent along this missive about what he had to say to Dave:

Last night, Gene and I saw exactly where Obama is headed.

That "lipstick on a pig" remark was no off-the-cuff remark (Obama doesn't seem to make those kinds of mistakes). He intended to say it, hoping to provoke an attack from an increasingly hysterical McCain campaign.

And it worked. They took the bait; hook, line and sinker.

Which gave Obama the opportunity, which he took yesterday, to take them to task -- sternly -- for not talking about the issues. It gave him a great opening to point out their swiftboat politics, their using silly things to avoid talking about the issues, etc.

He made it clear that it's us they are insulting. It's us they're giving short shrift. It's we who are the losers in this kind of game.

Combined with "Enough!" (which we think and hope is going to be the one-word, sound-byte campaign catchphrase).

He's turning their own game against them. Every time they launch a personal attack, the response is "Enough. It's about the issues. Notice how they don't talk about the issues. Notice how they treat you, distract you, try to fool you." Of course, they don't have talking points on the issues. Their entire campaign is a distraction. (Sarah Palin being the biggest distraction of all. That's why they picked her. It takes all the attention away from the increasingly fragile and addle-headed candidate.) He's pointing that out. He's defanging their personal attacks.

And he won't have to get angry (and risk being seen as the angry black guy) at all. He's getting the people pissed off at them while he can remain cool as a cucumber and in control. He's also making jokes about the dopiness of their attacks -- he'll make them look like clueless buffoons.

It's an absolutely brilliant strategy.

Petard, prepare to be hoisted!

So, here's hoping.

There. I got it out of my system. Don't worry, I'll get off my soapbox now.
At these heights I tend to get nosebleeds.

But never forget this about the old man who wants to be considered the agent of change:

BCnU!
Toby O'B

"AT THE MOVIES" IN TOOBWORLD

"Our next film is 'Medellin' - the ultra-violent story of Colombian drug lord Pablo Escobar starring Vincent Chase in a fat-suit in bad make-up that makes him look like the love child of Jiminy Glick and a case of Twinkies." - Richard Roeper of 'Ebert And Roeper At The Movies' in 'Entourage'.

Just as Roeper and his co-host Michael Phillips (the permanent sub for Roger Ebert because of Ebert's illness) were wrapping up their tenure on the series, 'At The Movies' did their swan song with a televersion appearance in the 'Entourage' season premiere. Both of them panned the film in the sequence, but it was Roeper who got off the best lines, calling it a Hindenburg of a movie and that he got up and booed with the rest of the angry mob at Cannes.
Like real world game shows, news programs, sporting events, so-called "reality" shows, and the aforementioned 'Candid Camera' in the previous post, 'At The Movies' exists in Toobworld as well. When he was still alive and hosting the series with Ebert, Gene Siskel made a memorable appearance on 'The Larry Sanders Show' and got in an argument with Hank Kingsley about the "big reveal" in "The Crying Game". And Roger Ebert appeared as himself in the Chicago-based "fantasy newspaper" series 'Early Edition'.

And speaking of Jiminy Glick, Ebert also appears as himself in Glick's movie about "Lalawood",
which can be considered an extension of Toobworld into the movie universe since Jiminy is a real character in the TV Universe (despite that Larry King interview on CNN which pulled back the curtain to reveal Martin Short getting into makeup).

'At The Movies' is going to continue, now with Ben Lyons and Ben Mankiewicz as the hosts/critics, but it just won't be the same. And based on some reviews I've seen, the new reworked version doesn't cut it.

But so far, Roeper and Phillips still rule because of this episode of 'Entourage'......
BCnU!
Toby O'B

TODAY'S TWD: "CANDID CAMERA"

Rob Petrie:
"
The only thing that bothers me, Mel,
Is that you're not even ashamed that this is a direct steal from another show
."
Mel Cooley:
"Well, why be ashamed when we stole from one of the best?"
'THE DICK VAN DYKE SHOW'

In the latest episode of 'Mad Men' ("The Gold Violin"), Bobbie Barrett introduced Don Draper to the ABC executive who would be overseeing the new show starring her husband, comic Jimmy Barrett. He told them that he was looking forward to 'Grin And Barrett' (maybe it would be 'Grin & Barrett'?) beating 'Candid Camera' in the ratings.

Of course, there was no such show as 'Grin And Barrett' in the real world. According to the prime-time schedules for 1962, ABC countered 'Candid Camera' with 'Adventures In Paradise' to close out the previous season and began the fall season with 'The Voice Of Firestone'. Originally, 'The Voice Of Firestone' was a radio show on NBC and then it was simulcast on NBC radio and television. But a dispute over the timeslot led 'The Voice Of Firestone' to move over to ABC.

'The Voice of Firestone' was a variety program of classical and semi-classical music; it's not surprising that 'Candid Camera' would have clobbered it in the ratings. But again, that's the real world. At this point in the 'Mad Men' timeline, I think we're only at the midway point in the year of 1962, so the televersion of ABC would be planning on showing 'Grin And Barrett' in the fall rather than 'The Voice Of Firestone' to challenge 'Candid Camera'.

It's all ABC's fault that they were getting slammed by Allen Funt's creation. 'Candid Camera' began on the Alphabet Network before moving over to NBC and then to CBS; they should never have let it go in the first place.

ABC
August 1948-September 1948
Sunday 8:00-8:30
October 1948
Sunday 8:30-8:45
November 1948-December 1948
Friday 8:00-8:30

NBC
May 1949-July 1949
Sunday 7:30-8:00
July 1949-August 1949
Thursday 9:00-9:30

CBS
September 1949-September 1950
Monday 9:00-9:30

NBC
June 1953
Tuesday 9:30-10:00
July 1953
Wednesday 10:00-10:30

CBS
October 1960-September 1967
Sunday 10:00-10:30
July 1990-August 1990
Friday 8:30-9:00

'Adventures In Paradise', the previous rival to 'Candid Camera', wasn't mentioned in 'Mad Men', which is a good thing for Toobworld. It prevents any need for a Zonk splainin regarding the name of the show. After all, Adam Troy and the Tiki III shared the same TV dimension as Don Draper of the Sterling-Cooper Agency. (Although I still haven't found a good splainin for the clips from that episode of 'The Defenders' on a previous 'Mad Men'. I may yet have to jettison 'Mad Men' to dimensions unknown.....)

There's no need to find splainins for 'Candid Camera', as it's the type of show that could easily exist in Toobworld as well as the real world - like game shows, news programs, and sporting events. This wasn't the first time it came up in 'Mad Men' - in an earlier episode, Bobbie Barrett mentioned that she had an idea for a new TV show similar to 'Candid Camera'.

Many shows referred to it over the years, and within one show a rip-off series was produced called 'Sneaky Camera' (as seen in 'The Dick Van Dyke Show' episode, "Ghost Of A. Chantz"). Although I can't find verification of it, I'm fairly certain that at least once a visitor to the home of 'The Munsters' thought that they were on 'Candid Camera'. (Sounds like a Paul Lynde moment.....)

But there were some other examples, courtesy of the IMDb.com:

"Freaks and Geeks: Discos and Dragons (#1.18)" (2000)
- Ken asks when Allen Funt is going to come boogying out

"Mystery Science Theater 3000: Tormented (#5.14)" (1992)
- "Alan Funt, where are ya!"

"Dark Angel: Harbor Lights (#2.13)" (2002)
- The CDC guy says "smile you're on Candid Camera" to Ames

"Veronica Mars: Clash of the Tritons (#1.12)" (2005)
- "You're on Candid Camera."

"The Invisible Man: It's a Small World (#1.23)" (2001)
- Realizing the bug is working again, Darien says "Smile, you're on Candid Camera" the signiture line of the show.

"The Monkees: The Picture Frame (#2.2)" (1967)
- Davey says: Smile, we're on hidden camera!

"Mystery Science Theater 3000: The Magic Sword (#5.11)" (1992)
- Crow: Okay, where's Allen Funt?

The Librarian: Quest for the Spear (2004) (TV) - Ca. 20 minutes into the film Flynn references the show in conversation with Judson.

By the way, I have an idea about where the Jimmy Barrett storyline may lead, based on whom Jimmy could be modeled after and on a real world news story from earlier in 1962 (not the Jamaica Bay airliner crash). However, that idea comes from my deeply embedded absorption of TV cliches; and if there's one thing I know from watching Matthew Weiner's vision, it's that those cliches don't apply to 'Mad Men'.

So I'll wait to share it once the season is over.

BCnU!
Toby O'B

Jennifer:
"Something going on here I should know about?"
Alex:
"
Yeah, yeah, I was just apologizing to Mallory for treating her badly
And uh you too Jennifer for um being such a creep all week
."

Jennifer:
"Am I on Candid Camera?"
'FAMILY TIES'

FOR THOSE WHO ENJOY AUDIO "WHO"...

I don't consider the 'Doctor Who' audio plays to be canon for Toobworld; I feel there needs to be the visual element, which the potential movie starring David Tennant and online productions supply and which would make them canon-worthy. (The movies starring Peter Cushing don't count - too many deviations from the established history of the character. Those movies, however, could be used to splain away references to 'Doctor Who' as a fictional character within Toobworld reality.)

However, there are those out there who soak up the audio plays, the books, and the comics as all being part of some complete 'Doctor Who' universe. Let them sort it out when it comes to the contradictions - like the 'Human Nature' novel about the Seventh Doctor and the TV adaptation about the Tenth.

If you're one of those so inclined, my blogging buddy Rob of "The Medium Is Not Enough" has a very good review of a new audio play produced by Big Finish starring Peter Davison as the Fifth Doctor and Sarah Sutton as former Companion Nyssa. (By saying it's a very good review, I'm not implying the production is very good, by the way.)

It's not so much an alteration of what fans previously believed about the history of 'Doctor Who' as it is a variation on the resolution of a particular plotline. I should warn you that by reading Rob's review, you will be spoiled to this revelation... although I think the title alone would have made any decent 'Who' fan easily figure out the secret.

If you are curious about this "adjustment" to the Multiverse of 'Doctor Who', then check out
Rob's review here. But be forewarned - that link brings you to the full review and there be spoilers ahead!

By the way, you really should be doing yourself a favor by reading Rob's blog on a regular basis. Toobworld is more than American TV productions; and even though he does cover a lot of that, his focus is probably on British shows. Many of these we may never see over here, and Rob often provides us video links to check out samples of these shows. I have to say, without Rob's site, I might never have been prepared to check out 'Gavin & Stacey' and 'Primeval' on BBC-A.

BCnU!
Toby O'B

PS:
That banner has nothing to do with the production. I just couldn't resist it once I saw it. And credit goes to the blog
"The Boy That Time Forgot". Wayne Spitzer hasn't updated it recently, but if you go there, you'll see a great pic of a 'Trek' fan dressed as an Andorian babe! Homina Thrice!

Wednesday, September 10, 2008

CHOCK FULL O' MUPPETS

During "The Gold Violin", the latest episode of 'Mad Men', Don Draper talked to the executives of Martinson Coffee about the various methods used to sell coffee, one of them being with puppets.

He must have been referring to the television campaign for Wilkins' Coffee which featured two puppets created by Jim Hensen, Wilkins and Wontkins. Wilkins kept trying to get Wontkins to sample the coffee, but Wontkins steadfastly refused. And for taking such a stand, inevitably Wilkins would kill him.

Over and over again.
Ya can't get good puppet shows like that on TV anymore!

BCnU!
Toby O'B

FRINGE THINKING

AGENT OLIVIA DUNHAM:
"You owe money to a guy nicknamed 'Big Eddie'?"
PETER NOBLE:
"No, I owe money to a guy NAMED 'Big Eddie'.
He had it legally changed."
'Fringe'

In 1975, Sheldon Leonard starred in a sitcom called 'Big Eddie'. Here's a description of the show from the IMDb.com:

"Big" Eddie Smith was the new owner of New York's Big E Sports Arena. Smith was also an ex-gambler who was trying not to get sucked back into the racket, while dealing with the various crazies and eccentrics that crossed his path. He lived with his ex-stripper wife Honey and their granddaughter Ginger.

"Ex-Gambler" was probably a euphemism when in "reality" Big Eddie was probably a mobster trying to go straight.

Even though Sheldon Leonard has been dead for years, that doesn't mean his character of Big Eddie Smith is not still alive in Toobworld. As old as he would be now, Big Eddie could still be a powerful threat to those who owed him money, like Peter Noble.

However, if Big Eddie was the same age as Sheldon Leonard, he'd be 101 years old by now. This could be possible, especially if he was descended from Big Smith of 'The Adventures of Brisco County, Jr.' So long as Big Smith sired a son after his genetic structure had been altered by the Orb.

Just an idea, of course. It's not written in stone, or sealed in cement.... like those who may have crossed Big Eddie in the past.

BCnU!
Toby O'B

"B" ON THE 'FRINGE'

Roger Catlin of the Hartford Courant had this to say about the production of 'Fringe':

I was curious about the oddball visual elements: Those place-setting letters that looked like 3-D parts of the landscape, the letters of Baghdad casting shadows on the city below kind of thing.

And those little symbols that flashed up at the end of a scene, such as a leaf.

"Those letters were actually just there," Abrams replied when I asked him about it.
"We didn't even put them. We just shot them. They were cool-looking."

He was joking. Actually, he added, "We just thought it was going to be a fun thing to sort of do that as a way of, you know, introducing a location."

Be that as it may, "Fringe" has already been beaten by Mastercard ads in which people crash into similar letters.

I never thought of that. I guess those giant block letter then really do exist in the TV Universe and are not just visible to the audience viewing at home in the Trueniverse.

BCnU!
Toby O'B

JUST ONE MORE ZONK.....

I've dealt with the issue of other TV shows mentioning 'Columbo' in the past when they should all be sharing the same TV universe.

Here's an excerpt from a piece about the series premiere of 'In Plain Sight' this year:

The main character, Mary Shannon of the US Marshals working for WitSec, not only brought the Playpen to a new witness in her charge, but she also Zonked big time by mentioning how 'Columbo' operated on TV. She went into a whole riff about how he'd let the suspect know that he was on to them by commenting on their shows - and she did it with a funny impression of Peter Falk's voice as Lt. Columbo.Hopefully an easy splainin that the Lieutenant was famous, and would often appear on TV to discuss the cases he solved, might do the trick in covering up this mess.

(Here's the actual quote, courtesy of the IMDb.com:

"In Plain Sight: Pilot (#1.1)" (2008)- Mary says in voiceover: "I really wanted to turn around and pop off one of those Columbo questions -- you know, the innocuous afterthought that lets the killer know that I know he did it: [imitating Peter Falk]: 'Excuse me, do you always where white shoes after Labor Day?'")

And this is from a post about the many Zonks to be found in the 'Monk' episode "Mr. Monk Is On The Run Part II":
"Car Wash Columbo"
This was the nickname given to Monk by the press, when he solved the hit-and-run murder of a highway worker in Nevada. At the time, they thought he was actually Leland Rodriguez since he was hiding out under an assumed name.This isn't a problem. There was never any mention of 'Columbo' as a TV series whenever the nickname came up. So it could be that it was a reference to Monk being the car wash version of the actual detective on the Los Angeles police force.

Since it's getting more unlikely that we're ever going to see one last outing by Peter Falk as the rumpled detective, the Lieutenant is probably retired by now. And his fame has been well-publicized over the years - in fact, I wouldn't be surprised if a best-selling novel was written about him! (He may even have had a TV show based on his career, much like David 'Toma' did in the real world. If so, that would go some way towards splainin those Zonks which do mention 'Columbo' as a TV show.)

There have been other instances in which Lt. Columbo has been mentioned in TV shows:

"Big Wolf on Campus: Butch Comes to Shove (#1.3)" (1999)
- Merton calls Tommy "Columbo."

"Mystery Science Theater 3000: The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies (#9.12)" (1997)
- Crow: (as Columbo) Uh, just one more question, ma'am.

"Law & Order: Special Victims Unit: Desperate (#4.18)" (2003)
- Rye Police Chief: "Wheaton thinks he's Columbo."

"Entourage: I Wanna Be Sedated (#3.10)" (2006)
- Turtle calls Drama "Columbo"

"Saxondale: (#2.3)" (2007)
- Tommy asks if a man has been watching this.

With that last example, we actually have mention of a TV show based on the life of Lt. Columbo. And apparently it proved to be so popular in Toobworld that it's being shown over in the UK.

This would splain one side of a potential Zonk in an episode of 'Life On Mars'. DCI Gene Hunt was talking about a particular kind of evidence - I think it may have been fingerprints - when he said "Juries love 'em. Makes 'em feel like Columbo."
Now, the premise of 'Life On Mars' is that a detective from 2007 Manchester has been struck down by a car, only to find himself in 1973 Manchester on the police force. As Sam Tyler states in the opening credits, is he mad, in a coma, or is he really back in Time?

So if we go with the assumption that the Gene Genie's comment was a product of Detective Tyler's madness or a coma dream, then it's likely that Sam had been watching that same TV adaptation of Lt. Columbo's life. But if we go with the idea that he really did go back in Time to 1973, then the reason Gene Hunt knows about Columbo is because the Los Angeles police lieutenant had been in England the year before. And while there, he solved a very high profile murder in London. (See the episode "Dagger Of The Mind".)

So no matter which route you take with the issue of Sam's presence in 1973, the mention of 'Columbo' can be splained away.

And no. I'm not going to tell you how the issue of Sam Tyler's presence there was resolved on the show. Suffice to say that 'Life On Mars' is now one of my ten favorite series of all Time.

BCnU!
Toby O'B

RADIO FREE TORCHWOOD

This would be more in the line for blogging buddy Ivan (Thrilling Days Of Yesteryear, link to the left), but among the alternate universes created by Mankind's creative spark is a radio dimension. Throughout the middle of the 20th Century, there was an incredible output of radio plays from all over the world which could have over-populated the radio dimension had it not been for the creation of the TV Universe which my readers know (and I love) as Toobworld.

With the advancement of TV, radio drama began to die out, although there are still pockets of production. And in Great Britain, it actually still thrives, especially with shows like 'The Archers'. And a multiverse great - 'The Hitch-Hiker's Guide To The Galaxy' - began life in the radio dimension.

Right now, I'm listening to BBC's Radio 4 and its podcast of a new episode of 'Torchwood' which is tied into the big scientific news of the day - the activation of the CERN super collider in Switzerland.
Captain Jack, Gwen, and Ianto were called to the event by Dr. Martha Jones to investigate a series of disappearances. Basically, even though these are the Torchwood characters we know from Toobworld, they are separate from their counterparts. Still, they mirror the televersions pretty much exactly - several times Owen and Tosh are mentioned and as being dead, so we know it takes place after the second season finale. But since there is no mention of the events in the fourth season finale for 'Doctor Who', we know that Davros' plan to steal the Earth has not taken place yet.

I'm sixteen plus minutes into the radio play and the symptoms of the victim they're examining resemble those of Agent John Scott in last night's premiere of 'Fringe': the body is becoming translucent.

I'm still listening to the show, so I can't give it away even if I wanted to. But if you wanted to hear it for yourself, it's now available on podcast. Just follow this
BBC4 radio link. (However, it's only available for download the next seven days.)

BBCnU!
Toby O'B

TODAY'S TWD: "PRIDE" ROCKS

Yesterday I took a look at the world of "Pride And Prejudice", as seen through the eyes of a young woman from modern-day London who was trapped within the book's plot.

Thanks to Wikipedia, here's an edited look at the history of Jane Austen's most popular novel:

Pride and Prejudice, first published on 28 January 1813, is the most famous of Jane Austen's novels and one of the first "romantic comedies" in the history of the novel. The book is Jane Austen's second published novel. Its manuscript was initially written between 1796 and 1797 in Steventon, Hampshire, where Austen lived in the rectory. Called First Impressions, it was never published under that title, and following revisions it was retitled Pride and Prejudice.

Jane Austen's father wrote to London bookseller Thomas Cadell on November 1, 1797, offering it for publication, but it was rejected unseen by return of post. The unpublished manuscript remained with Austen, and it was not until 1811 that the first of her novels would be published, Sense and Sensibility.

Buoyed by the release of her first published novel, Austen revised the manuscript for First Impressions, probably between 1811 and 1812. She renamed the story Pride and Prejudice, an "apparent cliché" phrase of the times. In renaming the novel, Jane Austen probably had in mind the "sufferings and oppositions" summarized in the final chapter of Fanny Burney's Cecilia, called "Pride and Prejudice", where the phrase appears three times in block capitals.
It is also possible that the novel's original title was altered to avoid confusion with other works. In the years between the completion of First Impressions and its revision into Pride and Prejudice, two other works had been published under that name: a novel by Margaret Holford and a comedy by Horace Smith.

Austen sold the copyright for the novel to Thomas Egerton of Whitehall in exchange for £110 (Austen had asked for £150). This proved a costly decision. Austen had published Sense and Sensibility on a commission basis, whereby she indemnified the publisher against any losses and received any profits, less costs and the publisher's commission.

Unaware that Sense and
Sensibility would sell out its edition, making her £140, she passed the copyright to Egerton for a one-off payment, meaning that all the risk (and all the profits) would be his. Jan Fergus has calculated that Egerton subsequently made around £450 from just the first two editions of the book.

The novel was reviewed favourably in British Critic and Critical Review in early 1813. In 1819 Henry Crabb Robinson called it: "...one of the most excellent of the works of our female novelists", and Sir Walter Scott, in his journal, described it as: "...Miss Austen’s very finely written novel... That young lady had a talent for describing the involvement and feelings and characters of ordinary life which is to me the most wonderful I ever met with."

However, others did not agree. Charlotte Brontë wrote to noted critic and reviewer George Henry
Lewes after reading a review of his published in Fraser's Magazine in 1847. He had praised Jane Austen's work and declared that he "...would rather have written Pride and Prejudice, or Tom Jones, than any of the Waverley Novels". Miss Brontë, though, found Pride and Prejudice a disappointment: "...a carefully fenced, highly cultivated garden, with neat borders and delicate flowers; but...no open country, no fresh air, no blue hill, no bonny beck."

Of course, all of that is from the real world. In Toobworld, it probably follows in a similar fashion. However, Miss Austen was writing about actual people and she shares the same TV dimension as Elizabeth Bennett.

I wonder what Jane Austen would have thought of "Seducing Mr. Darcy", a saucy little novel which shares the basic plot with 'Lost In Austen'....

BCnU!
Toby O'B


PS
Here's the only version of the book that I'd probably read.....