Friday, July 1, 2011
AS SEEN IN:
AS PLAYED BY:
Amantine (also "Amandine") Lucile Aurore Dupin, later Baroness (French: baronne) Dudevant (Paris, 1 July 1804 – 8 June 1876), best known by her pseudonym George Sand, was a French novelist and memoirist.
A liaison with the writer Jules Sandeau heralded her literary debut. They published a few stories in collaboration, signing them "Jules Sand." Her first published novel, "Rose et Blanche" (1831), was written in collaboration with Sandeau. She subsequently adopted, for her first independent novel, "Indiana" (1832), the pen name that made her famous – George Sand.
Drawing from her childhood experiences of the countryside, she wrote the rural novels "La Mare au Diable" (1846), "François le Champi" (1847–1848), "La Petite Fadette" (1849), and "Les Beaux Messieurs Bois-Doré" (1857). "A Winter in Majorca" described the period that she and Chopin spent on that island in 1838-9.
Her other novels include "Indiana" (1832), "Lélia" (1833), "Mauprat" (1837), "Le Compagnon du Tour de France" (1840), "Consuelo" (1842–1843), and "Le Meunier d'Angibault" (1845).
Further theatre pieces and autobiographical pieces include "Histoire de ma vie" (1855), "Elle et Lui" (1859) (about her affair with Musset), "Journal Intime" (posthumously published in 1926), and "Correspondence". Sand often performed her theatrical works in her small private theatre at the Nohant estate.
Sand's reputation came into question when she began sporting men's clothing in public — which she justified by the clothes being far sturdier and less expensive than the typical dress of a noblewoman at the time. In addition to being comfortable, Sand's male dress enabled her to circulate more freely in Paris than most of her female contemporaries, and gave her increased access to venues from which women were often barred — even women of her social standing.
Also scandalous was Sand's smoking tobacco in public; neither peerage nor gentry had yet sanctioned the free indulgence of women in such a habit, especially in public (though Franz Liszt's paramour Marie d'Agoult affected this as well, smoking large cigars). These and other behaviors were exceptional for a woman of the early and mid-19th century, when social codes—especially in the upper classes—were of the utmost importance.
As a consequence of many unorthodox aspects of her lifestyle, Sand was obliged to relinquish some of the privileges appertaining to a baroness — though, interestingly, the mores of the period did permit upper-class wives to live physically separated from their husbands, without losing face, provided the estranged couple exhibited no blatant irregularity to the outside world.
Toobworld Note: When RTD was in charge of 'Doctor Who', the 9th and 10th incarnations of the Doctor met several writers from Great Britain - Charles Dickens, William Shakespeare, Dame Agatha Christie. So far, the 11th incarnation of the Doctor has crossed the Channel and entered the life of French artiste supreme Vincent Van Gogh.
Maybe he should revisit France and this time get caught up in some kind of adventure with George Sand. She certainly is quite radical for her times and would have no problem in keeping up with the strange things that occur with the Doctor.......
Here's a suggestion.... He should give her the suit worn by the 8th incarnation of the Doctor as a parting gift......