Saturday, August 4, 2012

THE HAT SQUAD: REMEMBERING TONY MARTIN



Performer Tony Martin passed away in July. He had his own show on TV and made numerous appearances on variety programs, as well as in sitcoms and even in several dramatic series.

Here he is in an episode of 'The Jack Benny Show', as part of the biggest all-star band Toobworld has ever seen:


I'm not sure if that link will work once this post is launched.  If not, click here.

BCnU!

WESTVIEW: "DEATH VALLEY DAYS" - "THE LAST LETTER"


Here's a little Clint Eastwood for you.....


COMING AT THE END OF AUGUST!


For the usual 'Doctor Who' video on the weekend, there really was only one choice: the brand new trailer for the upcoming "Season 7" (of the show's new era):


My favorite bit? The Doctor riding my favorite kind of dinosaur, a triceratops! I'm ten years old again!

BCnU!

THE "CENTENNIAL" OPENING CREDITS


For those who love all-star casts, check out these opening credits for James Michener's 'Centennial'!


Although the biggest names were shown every week, there were plenty of guest stars in each episode. So this doesn't even include the guest actors from the other eleven episodes!

BCnU!

BLACK BART

Here's a scene from an episode of 'Community'. Pay attention to what elderly college student Leonard says....



"Where the white women at?" is of the many great lines from the Mel Brooks' classic comedy Western, "Blazing Saddles".

About a year or so after the movie came out, a pilot was produced and broadcast for a TV sitcom about the Black Bart character, and for some strange reason it was called... 'Black Bart'.

Within the TV Universe, that pilot became historical reality. The "Blazing Saddles" movie was then the cinematic recreation of the events in the life of that historical figure, Black Bart.

So in the real world, Cleavon Little came first as Black Bart in the movie, followed by Lou Gossett in the TV pilot. But in Toobworld, that's reversed.  Gossett's version was the "actual" cowboy, while Little was just a portrayal.......

BCnU!

AS SEEN ON TV: PASQUINEL


With the weekend editions of the "As Seen On TV" showcases, we usually deal with characters for whom we can also use video clips. When it came to 'Centennial', the first character I thought of who would definitely have a good clip was.....

PASQUINEL

CREATED BY:
James Michener

PORTRAYED BY:
Robert Conrad

AS SEEN IN:
'Centennial'

TV DIMENSION:
Earth Prime-Time

From Wikipedia:
Pasquinel (Robert Conrad), [is] a French Canadian fur trader who has gone out to the Rocky Mountains to trade for beaver pelts. Pasquinel and Lame Beaver end up confronting each other in the dead of night, with knives ready. But Pasquinel puts down his blade in an act of trust, and the two become good friends. Lame Beaver comes to see great courage and honor within this white man, and so trades pelts with him for French trinkets.


However, the beaver pelts that Pasquinel acquired from the Arapaho, as well as his remaining trade goods, are stolen. The theft occurs when Pasquinel is attacked and left for dead by members of the Pawnee tribe, even though he had promised their chief a gun if he were allowed to cross their lands safely. He is saved by Cheyenne warriors, and manages to track down the rogue Pawnee just as they are about to trade his pelts. The traders kill the Pawnee, but reveal themselves as nothing more than river pirates. The river pirates also steal the pelts and further wound Pasquinel.


Pasquinel manages to return to St. Louis, then part of the Spanish Empire, with an arrowhead in his spine. Without money, he is introduced by a surgeon to Herman Bockweiss (Raymond Burr), a Bavarian immigrant merchant and silversmith, and goes to him for backing. Pasquinel later marries Bockweiss's daughter Lise (Sally Kellerman), who is attracted to him even though he keeps leaving for long periods in order to trade furs in unknown territory.

While Pasquinel does love Lise, his main reason for marrying her is merely to gain the goodwill of her merchant father. His financing now secured, Pasquinel once again heads west and meets up with Alexander McKeag (Richard Chamberlain), a Scottish-born trapper captured by the Pawnee. He saves the Scot's life by giving the Pawnee chief the gun that Pasquinel had previously promised him. Pasquinel also gives the chief some of Bockweiss' silver, even though some of the chief's braves had previously tried to kill Pasquinel. The Pawnee chief accepts and guarantees Pasquinel and McKeag safe travel through his lands.

After McKeag's life is saved, the two become partners and lifelong friends.


Pasquinel was the major figure of the first two chapters in the mini-series, "Only The Rocks Live Forever" and "The Yellow Apron".

Robert Conrad was not the first actor considered for the role of Pasquinel. Robert Blake and Charles Bronson were offered the chance to play the trapper, but they both turned it down. I'm thankful they did......

BCnU!

Friday, August 3, 2012

WESTVIEW: "THE LAWMAN" - "THE LONG GUN"




A STITCH IN PRIME-TIME



Every so often a TV character comes along who can link a lot of TV shows together, even if only theoretically, and sometimes with just one appearance. Two of the greatest - probably THE greatest! - were Archibald Beechcroft from the 'Twilight Zone' episode "Mind And The Matter", and the Gallifreyan Time Lord known as The Master, as seen in 'Doctor Who'. And with them, it wasn't theory, but definitive - both of them became every single person alive on Earth Prime-Time at one point in their lives. Everybody from Archie Bunker to Zelda Gilroy. As such, the Master and Mister Beechcroft could link thousands of TV shows from all over the world.

Another such character was the demon Mr. Sweet, from the "Once More, With Feeling" musical episode of 'Buffy The Vampire Slayer'. He was able to turn everybody's life into a musical number, often with tragic results. But Toobworld Central now uses him as the reason why various TV series were either musicals ('Hull High', 'Cop Rock') or had musical episodes.

Now a new character has come to my attention, although his contribution is still theoretical and, like Mr. Sweet, on a much smaller scale. When I say he's a new character who has come to my attention, I mean he's only "new" in that I'm finally seeing him in this light, as I first saw him when he showed up for a single episode of 'Cybill' back in the 1990's. And it was more like he came back to my notice because the actor who played him, the great character actor R.G. Armstrong, recently passed away......

When it came to the stuntmen who worked on the fictional movies and TV shows of Toobworld, Stitch Sullivan was truly a legend in Hollywood. Born in 1917 like the actor who portrayed him, Stitch was active in the business at least into the 1990's, having begun back in the 1930's. 


Stitch may have become fascinated with the movies by seeing silent movies as a young boy, like 1925's "A Veil Of The Desert" starring Viola Normandy and Valentine Rudolfo. (In the previous Toobworld timeline, the movie starred a certain Martian known then as Mark LaMartin... before he changed History.)


But the real reason why Stitch became a stuntman - in fact, why any man would risk the dangers of the profession - was simple: "world class Hollywood nookie." However, I'm not sure I want to make such a sweeping generalization because it might sully the reputation of the stuntman/actor who could have been Stitch Sullivan's mentor - Mark McCain, who got his start in 1906 by playing the first film incarnation of the Lone Ranger. (The "real-life" Lone Ranger - who looked like an actor named Clayton Moore - was played on Toobworld TV by Jon Hart.)


Jeff Robbins, the ex-husband of actress Cybill Sheridan, held Stitch Sullivan to be his mentor, and I would not be surprised if stuntmen and stuntwomen like Colt Seavers, Jake Rozzner, and Pat Devon - and even somebody who was a little of both like "Iron Man Carmichael"! - learned a trick or two from Stitch.

I think his career primarily focused on Westerns - getting shot off roofs, falling off out-of-control stagecoaches, getting trampled in stampedes. I'll bet the "Wilhelm Scream" within the reality of Toobworld was liberally applied to his characters over the years. (Outside of fictional movies and TV shows, the Wilhelm Scream is the exit cry of Redjac when it leaves a human host.)

To have become a legend among stuntmen, Stitch Sullivan may have participated in the filming of every fictional oater, be it for TV or the big screen, ever mentioned in TV shows.


Here is just a partial list of possibilities:
  • "Ambush at Death Gulch"
  • "The Cowgirl and Pistol Pete" (1955)
  • "Duel in Dry Bones Gulch"
  • "Standing Cow, Daughter of Sitting Bull" (1954)
  • "Wrestlers of Yellow Gulch"
  • "The Rebels of Santa Domingo" (1981)
  • "They Called Him Stranger" (1955)
  • "Mohawk Over The Moon" (a space Western)
But Stitch Sullivan could have been in other movies as well, perhaps in a few action flicks with 'Movie Stars' like Reese Hardin and Rance McGrew. He could even have been a stunt double for Quirt Manly, unlikely as that may sound......


I wouldn't be surprised if he also worked on the sci-fi horror monster movies that were popular during the 1950's, like "The Monster That Devoured Cleveland", which was the favorite flick of Maynard G. Krebs.

Among these low-budget films could be:
  • "Attack Of The 50 Foot Anteater"
  • "Cleaver"
  • "Monsters From The Drain"
  • "Zombie Mom"
  • "Breast Monsters From Jupiter"
  • "Housewives From Mars"

Stitch could have been in charge of the stuntmen needed for such action flicks as:
  • "Chunnel"
  • "Outbreak II: The Virus Takes Manhattan"
  • "Black Ninja"
  • "Die, Scum-Sucking Pig, Die!"
  • "Danger Beach"
  • "Destination Istanbul"
  • "Head On"
And there had to be a few war movies, like:
  • "The Road To Nuremberg"
  • "A Few Came Back"......

In his later years, dangerous stunts would have been beyond his abilities - after all, when we saw him visiting Cybill Sheridan, he was in a wheelchair. But that would not have prevented him from still taking on small roles in other movies, some even family-oriented......

Perhaps in:
  • "Sack Lunch"
  • "The Wedding Bride"
  • "Glimpses Of The Moon"
  • "See You Next Wednesday"

And perhaps even in a sexy little indie called "Wild Women Of Malibu"......

I think his services would have come in handy during the production of at least a handful of Toobworld TV series over the decades:
  • "The Range Rider"
  • "Jed Clayton - US Marshall"
  • "Mightyman From Mars"
  • "Jetman"
  • 'Undercover Woman'

As I said, these are all theoretical, unlike the cases with the Master and Mister Beechcroft. But that's all part of the fun with the Toobworld concept. And even though the actor who played Stitch Sullivan has joined the Choir Invisible, we could add more old movies and TV shows to his resume as they are created for new TV series.

The role of Stitch Sullivan was played by long-time character actor R.G. Armstrong in only one episode of 'Cybill' ("See Jeff Jump. Jump, Jeff, Jump!") And this serves as my tribute to the man, who died last week.

Good night and may God bless.......

SHOWS CITED:
  • 'Cybill'
and
  • 'The A-Team'
  • 'The Betty White Show'
  • 'The Beverly Hillbillies'
  • 'Big Brother Jake'
  • 'Buffy The Vampire Slayer'
  • 'The Cara Williams Show'
  • 'The Cavanaughs'
  • 'Cop Rock'
  • 'Doctor Who'
  • 'Drake & Josh'
  • 'Entourage'
  • 'The Fall Guy'
  • 'Friends'
  • 'Four Seasons'
  • "The Gambler: Luck Of The Draw"
  • 'Gilligan's Island'
  • 'Happy Days'
  • 'He & She'
  • 'The Hero'
  • 'Hi-De-Hi!'
  • 'How I Met Your Mother'
  • 'Hull High'
  • 'It Ain't Half Hot, Mum'
  • 'King Of Queens'
  • 'The Lone Ranger'
  • 'The Lucy Show'
  • 'Mad About You'
  • 'The Many Loves Of Dobie Gillis'
  • 'Married... With Children'
  • 'Movie Stars'
  • 'My Favorite Martian'
  • "Norbert Smith... A Life"
  • 'The Rifleman'
  • 'Seinfeld'
  • 'The Sopranos'
  • 'Star Trek'
  • 'The Suite Life Of Zack & Cody'
  • '30 Rock'
  • "Thriller"
  • 'The Twilight Zone'
  • 'UFO'
BCnU!

A Toobworld Note: All of the pictures of R.G. Armstrong come from movies, not TV shows.  The roles he played on TV are frozen as those characters he played and should not be applied as "echoes" within the Toobworld reality.  But pictures from outside the TV Universe are fair game for this sort of fan fiction......

AS SEEN ON TV/HAT SQUAD: PHILIP WENDELL


In just under a month, three actors from the TV mini-series adaptation of James Michener's 'Centennial' passed away.  For the next three Fridays we'll be paying tribute to them by showcasing their 'Centennial' characters in the "ASOTV" spotlight.
....

PHILIP WENDELL

CREATED BY:

James Michener

PORTRAYED BY:

Morgan Paull (as an adult)

AS SEEN IN:

'Centennial'

TV STATUS:

Recastaway
(Due to aging process)


TV DIMENSION:

Earth Prime-Time

From the IMDb:

Morgan Paull (born December 15, 1944) is an American actor probably most notable for playing Holden in the Ridley Scott film "Blade Runner". He made his acting debut in the 1970 film "Patton" playing Captain Richard N. Jenson.  He is also known for playing the scheming Philip Wendell in the 1978 American television miniseries 'Centennial'.

The role of Philip Wendell was originally played by Richard Kelton, who died of carbon monoxide poisoning after one day of filming.


From The Rush Blog:
"The Winds of Death" focused upon other subplots. It marked the deaths of three major characters - Hans Brumbaugh, Mervin Wendell and Jim Lloyd. Wendell died as a happy real estate tycoon, oblivious of the damage he has caused. His only disappointments seemed to be his continuing lack of knowledge of Mr. Sorenson's final resting place and the contempt his son Philip still harbors. 


My last problem with the episode proved to be a minor quibble. I noticed that the generation that featured Philip Wendell and Beeley Garrett seemed to conceive their offspring, while in their late 30s to 40s. Why? I can understand one of them having children so late in life, but all of the characters from this particular generation? Philip Wendell's son (Morgan) will not be introduced until the next episode. But he will prove to be around the same age as Beeley's son, Paul Garrett.

Morgan Paul did an excellent job in conveying the many facets of the adult Philip Wendell, who not only remained haunted by Axel Dumire's death, but also proved to be just as ruthless in business as his parents.


Philip Wendell is the kind of 'Centennial' character whom I would normally have saved for a "Two For Tuesday" showcase.  But Doug McKeon did such a fantastic job as Philip Wendell as a boy that he does deserve his own page.  And it would not have been fair to Morgan Paull if he had to share the spotlight when this is meant to be a Hat Squad tribute to one of his TV characters.

Good night and may God bless, Morgan Paull..........